
Selected Discography

Selected releases and collaborators from 35+ years in recording, mixing, and mastering. My work has contributed to more than 20 million records sold and over 20 RIAA-certified gold and platinum plaques. Credits and roles vary by project; explore the Press page for interviews and independent coverage.















































Clientele
Danny Brown
Q-Tip (A Tribe Called Quest)
Alissia Benveniste
Shroom
P. Diddy
Dr. Dre
Just Blaze
Saigon
Pharoahe Monch
Big Pun
Terror Squad
Cuban Link
Ghostface Killah
Mos Def
Beatnuts
Roc Marciano
Mary J. Blige
The UN
Queen Latifah
Remy Ma
MOP
Virtue
David Banner
Craig David
Dead Prez
Hip Hop Project
Ian Lloyd
Lil Flip
Dj Enough
Casa De Leones
Mr. Weez
Mala Cara
Funkmaster Flex
X ecutioners
4cast
Missy Elliott
Jamie-Lynn Sigler
Wu-Tang Clan
Mobb Deep
Mr. Haka
Tahna Running
Ricoche
Patti LaBelle
Skillz
Clipse
Pharrell
Nonchalant
KA
George Clinton
Fat Joe
Mase
NAH
Foreigner
Yes
Force MDs
Jerry Gonzalez
Styles
Fabolous
Pink
50 Cent
(Fort Apache Band)
Chris Theberge
(Groove Collective)
Selected Project Stories



Project Mentions
Danny Brown
Project release: Danny Brown’s 2019 album “uknowhatimsayin?”
Read about it in Rolling Stone Magazine
https://www.rollingstone.com/music/music-news/danny-brown-run-the-jewels-3-tearz-song-listen-893598/


MIX Magazine published an article about Ka's Album and my studio- Merlin's Kitchen.
Article by Matt Gallagher
Producer/engineer/studio designer Christos Tsantilis mixed and mastered the third album from veteran Brownsville, Brooklyn-based rapper/producer Ka, The Night’s Gambit (Iron Works), which received critical acclaim upon its summer release. Ka self-produced and self-released this effort, featuring his stark beats and intensely hushed, sometimes understated delivery of deeply reflective and evocative lyrics. Tsantilis and Ka worked together in Merlin’s Kitchen, Tsantilis’ studio on Staten Island. “It’s a well-balanced room, very cozy and well-tuned, fitted with PMC monitors and mini computer speakers,” Tsantilis says. “The first track on the album set the vision, so we focused on that until we both felt we had clinched it. The rest just flowed after that. All sessions were in Pro Tools. I prepped tracks with basic EQ via Sonnox plug-ins and NTI Nightpro and API outboard. [I applied] slight compression with TK Audio and Manley Variable Mu Stereo compressors, among a few other comps, as well. Delays and reverbs were all added in as the mix came to gel.”

MIX Magazine - Feature Article

At Last (Etta James Cover)
Chelsea Fasano and Christos Tsantilis teamed up at BB4 Studios to record a cover of Etta James’s “At Last.” Click the image below to watch the studio recording session.
Beyond the Beyond
A sneak preview of Beyond the Beyond reveals something deep. Lloyd has been working on some of these songs for decades, and his partnership with David has crystallized in ways unnerving, disturbing, shocking and absolutely rocking. Lloyd knows a thing or two about studios. The son of a busy New York City session violinist and an in-demand concert lyric soprano, he first set foot in an audio facility at age 3, where he was seen-and-not-heard during full-fledged orchestral sessions. As a singer who’s gone on to have a lifelong career, Lloyd has seen it all in recording. That includes enviable sessions with Eddie Kramer – producer/engineer for the likes of Jimi Hendrix and Led Zeppelin – at South London’s famed Olympic sound Studios. Vancouver’s Pinewood Studios with producer Bruce Fairbairn (AC/DC, Aerosmith), Electric Lady Studios, the Hit Factory, LA’s Record Plant with Yes, and many more have been his host for tracking and mixing. In addition to sharing the music, Ian and David want to share the experience of creating at BB4 Studios, which was designed by in-house engineer Christos Tsantilis to be an optimum tracking, mixing, and mastering environment, in one workflow. “We’re excited to have our friends come and record with us here at BB4,” Ian says. “Ultimately it’s about the sound that you can achieve here, but it’s also about being comfortable so you can perform. I love it here because instead of the big window to the control room, the tracking spaces have cameras that you can turn on and off if you want to. So you have the visual connection if you need it, or privacy as a performer if you prefer that.” The expertise that Tsantilis brings to the design of BB4, as well as the tracking, mixing and mastering sessions that he oversees, was a draw for the Lloyds. “Christos’ passion for sonic perfection is totally obvious,” says David. “I think of the studio as the equivalent to the human body. Just like capillaries and arteries are important for pumping blood everywhere, every single wire and power line in this facility has been purified to achieve the best possible sound.”


Mixing & Mastering FAQ (MixByStos.com)
Planning a mixing or mastering project? Find answers about remote work, turnaround, booking, studio design, and equipment on the FAQ page. Project scope, deliverables, revisions, and deadlines are confirmed before booking.
Explore tutorials, studio videos, and practical insights from Christos “Stos” Tsantilis on mixing, mastering, Dolby Atmos, and studio acoustics.
Blog + Video Insights


